Knowing that Mrs. Mallard was afflicted with a heart trouble, great care was taken to break to her as gently as possible the news of her husband's death.
Kate Chopin, born Katherine O’Flaherty (February 8, 1850 — August 22, 1904), was an American author of short stories and novels. She is now considered by some to have been a forerunner of the feminist authors of the 20th century.
From 1892 to 1895, she wrote short stories for both children and adults which were published in such magazines as Atlantic Monthly, Vogue, The Century Magazine, and The Youth’s Companion. Her major works were two short story collections, Bayou Folk (1894) and A Night in Acadie (1897). Her important short stories included “Désirée’s Baby,” a tale of miscegenation in antebellum Louisiana (published in 1893), “The Story of an Hour” (1894), and “The Storm”(1898).
When Randall, for a brief absence, left his Dorothea, whom he was to marry after a time, the parting was bitter; the enforced separation seemed to them too cruel an ordeal to bear.
Madame Valtour had been in the sitting- room some time before she noticed the absence of the Dresden china figure from the corner of the mantel-piece, where it had stood for years.
Trézinie, the blacksmith's daughter, stepped out upon the gallery just as M'sieur Michel passed by. He did not notice the girl but walked straight on down the village street.
It was no wonder Mr. Sublet, who was staying at the Hallet plantation, wanted to make a picture of Evariste. The ‘Cadian was rather a picturesque subject in his way, and a tempting one to an artist looking for bits of “local color” along the Têche.
Bruno did very nice work in black and white; sometimes in green and yellow and red. But he never did anything quite so clever as during that summer he spent in the hills.
M’sié Jean-Ba’ – that was Aurélia’s father – was so especially fine and imposing when he went down to the city, with his glossy beard, his elegant clothes, and gold watch-chain, that he could easily have ridden in the car “For Whites.”
Madame Carambeau wanted it strictly understood that she was not to be disturbed by Gustave's birthday party. They carried her big rocking-chair from the back gallery,