Running footsteps—light, soft-soled shoes made of curious leathery cloth brought from Ceylon setting the pace; thick flowing boots, two pairs, dark blue and gilt, reflecting the moonlight in blunt gleams and splotches, following a stone's throw behind. Soft Shoes flashes through a patch of moonlight, then darts into a blind labyrinth of alleys and becomes only an intermittent scuffle ahead somewhere in the enfolding darkness. In go Flowing Boots, with short swords lurching and long plumes awry, finding a breath to curse God and the black lanes of London.
Francis Scott Key Fitzgerald (September 24, 1896 – December 21, 1940) was an American author of novels and short stories, whose works are the paradigmatic writings of the Jazz Age. He is widely regarded as one of the greatest American writers of the 20th century. Fitzgerald is considered a member of the “Lost Generation” of the 1920s. He finished four novels: This Side of Paradise, The Beautiful and Damned, The Great Gatsby (his best known), and Tender Is the Night. A fifth, unfinished novel, The Love of the Last Tycoon, was published posthumously. Fitzgerald also wrote many short stories that treat themes of youth and promise along with age and despair.
The Scene is the Exterior of a Cottage in West Issacshire on a desperately Arcadian afternoon in August. MR. ICKY, quaintly dressed in the costume of an Elizabethan peasant, is pottering and doddering among the pots and dods. He is an old man, well past the prime of life, no longer young, From the fact that there is a burr in his speech and that he has absent-mindedly put on his coat wrongside out, we surmise that he is either above or below the ordinary superficialities of life.
After dark on Saturday night one could stand on the first tee of the golf-course and see the country-club windows as a yellow expanse over a very black and wavy ocean. The waves of this ocean, so to speak, were the heads of many curious caddies, a few of the more ingenious chauffeurs, the golf professional's deaf sister--and there were usually several stray, diffident waves who might have rolled inside had they so desired. This was the gallery.
The Baltimore Station was hot and crowded, so Lois was forced to stand by the telegraph desk for interminable, sticky seconds while a clerk with big front teeth counted and recounted a large lady's day message, to determine whether it contained the innocuous forty-nine words or the fatal fifty-one. Lois, waiting, decided she wasn't quite sure of the address, so she took the letter out of her bag and ran over it again.
Jim Powell was a Jelly-bean. Much as I desire to make him an appealing character, I feel that it would be unscrupulous to deceive you on that point. He was a bred-in-the-bone, dyed-in-the-wool, ninety-nine three-quarters per cent Jelly-bean and he grew lazily all during Jelly-bean season, which is every season, down in the land of the Jelly-beans well below the Mason-Dixon line.
The sunlight dripped over the house like golden paint over an art jar, and the freckling shadows here and there only intensified the rigor of the bath of light. The Butterworth and Larkin houses flanking were entrenched behind great stodgy trees; only the Happer house took the full sun, and all day long faced the dusty road-street with a tolerant kindly patience. This was the city of Tarleton in southernmost Georgia, September afternoon.
A room in the down-stairs of a summer cottage. High around the wall runs an art frieze of a fisherman with a pile of nets at his feet and a ship on a crimson ocean, a fisherman with a pile of nets at his feet and a ship on a crimson ocean, a fisherman with a pile of nets at his feet and so on. In one place on the frieze there is an overlapping—here we have half a fisherman with half a pile of nets at his foot, crowded damply against half a ship on half a crimson ocean. The frieze is not in the plot, but frankly it fascinates me. I could continue indefinitely,
At the present time no one I know has the slightest desire to hit Samuel Meredith; possibly this is because a man over fifty is liable to be rather severely cracked at the impact of a hostile fist, but, for my part, I am inclined to think that all his hitable qualities have quite vanished. But it is certain that at various times in his life hitable qualities were in his face, as surely as kissable qualities have ever lurked in a girl's lips.